Tyrone Power

tyrone power


I’ve written often enough about good-looking actors: Cam Gigandet, Aldo Ray, Henry Cavill. There has never been any lack of handsome actors in Hollywood. That’s kind of what Hollywood is all about. Some of these guys have some acting ability too (all three of the above can act).

But sometimes their looks make more of an impression than their acting.

Bradley Cooper, I think, is one of this type. He did a tremendous acting job in “Silver Linings Playbook,” but all I could think of while watching the movie was: Wow, he’s cute!

Let us now turn to Tyrone Power.

He was an actor of the 1930s and 1940s. He was, to quote IMDB, “startlingly handsome.” (Ah well: some of us are born “startlingly handsome” and some are not. You either have it or you don’t.)

Believe it or not, “Tyrone Power” was his real name. He was actually Tyrone Power III, in fact. His son was (and is) T. P. IV, and there’s a grandson who’s Number Five.

Tyrone’s father was an Irish actor of some acclaim. Tyrone himself, in the movies, was always something brave: a gallant soldier, or Zorro, or a pirate, or something heroic.

His body wasn’t that great, but his face was spectacular.

My favorite Tyrone Power move is “The Rains Came,” in which he plays an Indian(!) army major / doctor. They darkened his skin a bit for the role. (Hollywood was very unthinkingly racist in those days. “The Rains Came” is set in India, but I see only one Indian actor on the IMDB cast list, and he’s in a very small role.)

Anyway: Tyrone.

Go seek out Netflix or Amazon or something, and seek out “The Rains Came,” and gaze upon him.

You’ll be very impressed, I guarantee. Maybe not with his acting. But you’ll see what I mean.


Appreciation: Maria Ouspenskaya

maria ouspenskaya


I usually write these “appreciations” about hunky guys like Channing Tatum and Victor Mature and Aldo Ray.

 

 

Well, this time it’s a tiny little old lady.

 

 

Maria Ouspenskaya was a small regal actress who graced a number of classic films. She came from Russia, studied in Poland, and came to the USA in the 1920s. She liked it here so much that she decided to stay.

 

 

Her heart was in the stage, but the financial troubles of the late 1920s / early 1930s made it necessary for her to look toward Hollywood.

 

 

Her first film was “Dodsworth,” with Walter Huston and Ruth Chatterton. She plays a steely old European martinet who forbids Ruth to marry her son. She’s terrific, and she got an Academy Award nomination for the role.

 

 

Many more roles followed. She played Charles Boyer’s darling grandmere Janou in “Love Affair.” She’s the mysterious Maleva the gypsy in “The Wolfman” with Lon Chaney, who intones:

 

 

Even a man who’s pure of heart

And says his prayers at night

Will become a wolf when the wolfbane blooms

And the autumn moon is bright.

 

 

Ouspenskaya was reputedly difficult. She was scornful of her fellow actors. She knew herself to be a brilliant actress, and acted accordingly. According to her IMDB biography, she relied on celebrity astrologer Carroll Righter to tell her when she should and shouldn’t perform.

 

 

This did not endear her to directors and fellow cast members.

 

 

My favorite Ouspenskaya performance is in 1939’s “The Rains Came.” She is (to perfection!) the bejeweled Maharani of Ranchipur, smoking her cigarette in a long holder and playing bridge. She is dryly ironic, and she is wonderful.

 

 

She was injured in a fire in 1949, which was (probably) caused by her smoking in bed.  She was taken to the hospital, and died of a stroke a few days later.

 

 

Poor thing.

 

 

Honor her memory by seeing one of the movies cited above.

 

 

You’ll thank me for it.



 

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